These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. “Stan” is a song by American rapper Eminem featuring vocals sampled from the opening lines of British singer Dido’s song “Thank You”. Summer Girls by Lyte Funkie Ones (1999) Quitter by D12 (2000) Uvek Bicu Tu by Sha-ila (2001) Give in to Me by Michael Jackson (1991) Chance to Advance by D12 (2000) 1, 2000 - Dido wants to make one thing perfectly clear: She didn’t just let Eminem sample her song “Thank You” for his single “Stan” in order to boost exposure for what was a slow-selling debut album. What song did Eminem sample for Stan?ĭec. Arthur asked Dr Ford if the similarities could be coincidence. Kashmir by Led Zeppelin was played to the court, to compare to Eminem’s Lose Yourself. What song is sampled in my name is Eminem?Įminem’s ‘My Name Is’ sample of Labi Siffre’s ‘I Got The…’ | WhoSampled. Years later, as the shock has faded, it's those lyrical skills and the subtle mastery of the music that still resonate, and they're what make The Slim Shady LP one of the great debuts in both hip-hop and modern pop music.What songs are sampled in the real Slim Shady?Įminem’s ‘The Real Slim Shady’ sample of Tom Green’s ‘Lonely Swedish (The Bum Bum Song)’ | WhoSampled. At a time when many rappers were stuck in the stultifying swamp of gangsta clichés, Eminem broke through the hardcore murk by abandoning the genre's familiar themes and flaunting a style with more verbal muscle and imagination than any of his contemporaries. As well they should be - there are few rappers as wildly gifted verbally as Eminem. Dre but also helmed in large doses by Marky and Jeff Bass, along with Marshall himself - mirrors his rhymes, with their spare, intricately layered arrangements enhancing his narratives, which are always at the forefront. Eminem's supreme gifts are an expansive vocabulary and vivid imagination, which he unleashes with wicked humor and unsparing anger in equal measure. There have been more violent songs in rap, but few more disturbing, and it's not because of what it describes, it's how he describes it - how the perfectly modulated phrasing enhances the horror and black humor of his words. Of course, nowhere is this more true than on "97 Bonnie and Clyde," a notorious track where he imagines killing his wife and then disposing of the body with his baby daughter in tow. This was unsettling in 1999, when nobody knew his back-story, and years later, when his personal turmoil is public knowledge, it still can be unsettling, because his words and delivery are that powerful. The Slim Shady LP bristles with this tension, since it's never always clear when Marshall Mathers is joking and when he's dead serious.
Then, it wasn't clear to every listener that Eminem was, as they say, an unreliable narrator, somebody who slung satire, lies, uncomfortable truths, and lacerating insights with vigor and venom, blurring the line between reality and parody, all seemingly without effort. Given his subsequent superstardom, culminating in no less than an Academy Award, it may be easy to overlook exactly how demonized Eminem was once his mainstream debut album, The Slim Shady LP, grabbed the attention of pop music upon its release in 1999.
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